The Style Guide

Dress for the frame.

You already own these pieces — that's rather the point. This is simply the edit, curated the way I shoot: silhouette first, texture always, nothing that shouts.

Ivory silk and linen on a Greek island terrace over the Aegean
Edit No. IAegean · Ivory · Linen
Edit No. I — By the Sea

The Seaside

For the villa, the deck, the morning swim you'll want to remember forever. Fluid fabrics that move with wind and water — silk, linen, nothing stiff.

  • A slip dress or anything that catches wind beautifully
  • Linen — wrinkles read as texture, not mess
  • Fine gold jewelry; it glows in black & white
  • Bare feet outrank any sandal on a boat
  • One hat, if it's a serious hat
Black tailoring laid on a Manhattan hotel bed, skyline beyond
Edit No. IIBlack · Ivory · Skyline
Edit No. II — In the City

The Editorial

Rome at dawn, New York at dusk. Tailoring photographs like architecture — sharp shoulders, clean lines, a silhouette that holds from across the street.

  • One impeccable blazer beats five good ones
  • Monochrome looks — black on black is a love letter to B&W
  • Trousers you can stride in; we will be walking
  • A heel changes posture — bring both options
  • Red lipstick reads as deep, perfect grey. Wear it
Black silk slip gown on a chaise, Paris balcony at blue hour
Edit No. IIIBlack Silk · Blue Hour
Edit No. III — After Dark

The Evening

The dinner, the terrace, the last glass. Low light is the most flattering light there is — and the most cinematic. This is where statement pieces live.

  • The gown you've only worn once. This is its second life
  • One sculptural piece of jewelry as the centerpiece
  • Velvet, silk, beading — texture is everything at night
  • Skin photographs beautifully by candlelight; show some
  • Bring the perfume. It changes how you stand
Architectural ivory gown hanging in a plaster atelier
Edit No. IVIvory · Plaster · Light
Edit No. IV — The Main Character

The Gown

For the portrait that hangs six feet tall. The right gown is architecture — clean lines, real weight, zero embellishment. It holds light, throws shadow, and needs nothing else.

  • Cut over decoration, always — the line is the statement
  • Fabric with weight moves like it means it
  • Folds become sculpture in black & white
  • Heirloom jewelry photographs like history — one piece, if any
  • If it needs a necklace to work, it isn't the gown
Silk and white trousers on a yacht deck chair, sea beyond
Edit No. VIvory · Navy · Teak
Edit No. V — At Anchor

The Deck

Sea light is the most honest light there is, and a deck at anchor is a studio that rocks gently. Silk against salt air, white on teak — nothing trying too hard.

  • A silk shirt over a swimsuit is the whole look
  • White trousers, rolled once. Barefoot beats any deck shoe
  • A navy knit for the evening wind
  • One gold chain. The sea does the rest
  • Salt hair is a hairstyle. We're keeping it
Camel trench over a bistro chair, Paris rooftops beyond
Edit No. VICamel · Paris · Espresso
Edit No. VI — The Stride

The Trench

Paris at 8 a.m., Rome between espressos, New York any time at all. The walking editorial — coat open, scarf catching wind, the city as your backdrop.

  • A trench worn open is motion made visible
  • Silk at the neck softens every hard line of the city
  • Leather trousers photograph like liquid
  • Heels you can actually walk in — we'll cover miles
  • Sunglasses on, sunglasses off — we'll shoot both women
Winter white cashmere arranged in soft window light
Edit No. VIIIvory · Cream · Winter Light
Edit No. VII — The Monochrome

The Winter White

Head-to-toe cream is the quietest power move in photography — nothing but texture, light, and you. In black & white it becomes a study in luminous greys.

  • One tone, five textures — cashmere, wool, leather, silk, skin
  • White on white sculpts; the camera finds every fold
  • Winter light plus winter white is pure luminosity
  • Keep jewelry pale and small — this look whispers
  • Works against stone, sea, and city equally
The rules of the frame

What black & white loves.
And what it doesn't.

Bring

  • Texture silk, linen, velvet, fur, knit — B&W turns texture into light
  • Silhouette strong shoulders, long lines, fluid drape
  • Contrast true black, true white, and everything skin-toned
  • Jewelry that means something gold glows; heirlooms carry their story into the frame
  • Confidence pieces whatever you wear when you feel most yourself

Leave behind

  • Logos & slogans the frame is about you, not a brand
  • Busy small patterns they vibrate in black & white
  • Neon & fluorescents they translate to flat, odd greys
  • Anything you'd tug at if you adjust it standing still, it will show
  • Brand-new shoes ease photographs; discomfort does too
A word from Heather

Before we meet.

Two minutes on how a commission works, what to expect on the day, and why you don't need to know how to pose.

Fine-art framed print by Heather Tammaro
The film — arriving with the new season
Wardrobe sorted

Let's put you in the frame.

A limited number of private commissions each season, anywhere on earth.

Begin an enquiry