
I photograph people in black and white — portrait, fashion, and beauty — and I have for twenty years, from New York to Rome and wherever the work leads.
What I care about is the moment someone stops performing for the camera and starts being seen by it. That's the frame that ends up printed large, hanging where you see it every day — the one guests ask about.

Every commission ends as a finished object — archival printing, hand-framing, museum glass, scaled for the wall it will live on. From an intimate 8×10 on your desk to a sixty-inch statement in the dressing room.
You'll also receive a password-protected digital gallery of every hand-selected, retouched image.
In black and white, everything already feels like a memory.
A limited number of private commissions each season, anywhere in the world.
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